The Commuter 2018 Movie Download 480p Mkv Mp4 Free

Director: Jaume Collet-Serra

Writers: Byron Willinger

Stars: Liam NeesonVera FarmigaPatrick Wilson

The Commuter 2018 Movie Download 480p Mkv Mp4 Free

Plot: There has, thus far, been a pleasing interchangeability to the titles in the banging, clattering action oeuvre cultivated by Liam Neeson and Spanish genre maestro Jaume Collet-Serra. “Unknown,” “Non-Stop” and “Run All Night” sound so tersely generic as to be slyly ironic, and that hint of playing-dumb humor extends to their gleefully absurd thriller mechanics: All three put rather a lot of crafty thought into their empty-headed pleasures. “The Commuter” sounds more tastefully sedate by comparison, but don’t be fooled. Neeson and Collet-Serra’s whooshing, whiplash-inducing fourth collaboration could as easily be titled “Run Non-Stop Into the Unknown” — a moving-train whodunit that makes Kenneth Branagh’s jacked-up “Murder on the Orient Express” remake look like “Jeanne Dielman” by comparison, it’s so concerned with its own sheer speed that any semblance of storytelling logic is left waving from the platform.

That’s not necessarily a problem in the Collet-Sera Cinematic Universe, but “The Commuter’s” breakneck incoherence — not to mention a generally dour demeanor, shorter on incidental humor than most of the helmer’s work — makes it a notch less fun than those previous ex-trash-aganzas. Coming after the tight, laser-focused precision of last year’s terrific shark suspenser “The Shallows,” this noisy, sure-to-be-popular chunk of January multiplex filler suggests Collet-Serra would do well to explore further corners of the B-movie realm. But that’s not to deny the transient pleasures of “The Commuter,” a film that enthusiastically puts the humble passenger car through almost as many mechanical acrobatics as any “Fast and Furious” hot rod, in the process gifting us with the line, “Between the train and the people, I always knew it would be the train.” Given the depth of character development and human investment in the narrative, action-rapt audiences may feel likewise.

Still, it wouldn’t hurt to have a clearer moment-to-moment sense of what’s simply going on in “The Commuter.” The film commences the bafflement from the off, with a needlessly tricksy opening-credits sequence, rife with repeated fades to black, that splits and splices timelines — all for the sake of establishing the thoroughly mundane morning routine of Michael MacCauley (Neeson), a gray-suited insurance salesman and family man who commutes daily between his Manhattan office and his well-cushioned Upstate home.

Not that you’d cast Neeson, of course, as an insurance guy without some manner of meaner past that has taught him some tougher skills: Turns out that McCauley used to work as an ace police profiler until a decade ago, before trading in his badge for a more sedate suburban life with his wife (Elizabeth McGovern, vastly overqualified) and kids.

Greetings again from the darkness. Having been well received at film festivals throughout 2017, this film is journey of patience for both the characters and its viewers. Co-directors Christopher Radcliff and Lauren Wolkstein have expanded their 2011 short film into their first feature length film, and though some evidence of ‘stretching’ is present, so is a somber, moody style that provides an interesting look and feel.

It’s more mysterious and atmospheric than it is thriller, and at times it even has a “Twilight Zone” vibe. Nick (Alex Pettyfer) and Sam (James Freedson-Jackson) are traveling together as brothers, though we never really believe they are related. An impending dread hovers around each move they make, and the film tortures/teases us with unspecified relationships and connections. Nick and Sam are semi-desperate and clearly on the run, yet it’s not until the end when things somewhat come together.

Young Freedson-Jackson is the key to the film, and his facial reactions are critical. His astounding blank stares seem to hold meaning. It’s a bleak film with a gloomy tone, and while I’m all for slow and deliberate story-telling, the technique is usually more effective when there is a reason for it. This is a deep cut indie that lacks mass appeal, but for those patient enough to commit, the supernatural aura will likely keep you engaged for the run time.. …...…………………… Get more  Hollywood Action Movies without membership,subscription,cost at just one hit.

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